Logos of Light, Abyss of Being: The Soul’s Ascent and Phenomenological Unfolding in Emerson and Tymieniecka | ||
| نقد زبان و ادبیات خارجی | ||
| مقاله 7، دوره 22، شماره 35 - شماره پیاپی 12، مهر 1404، صفحه 75-85 اصل مقاله (448.53 K) | ||
| نوع مقاله: مقاله علمی پژوهشی | ||
| شناسه دیجیتال (DOI): 10.48308/clls.2025.239680.1340 | ||
| نویسندگان | ||
| مارال کرامت جهرمی1؛ فاضل اسدی امجد* 2 | ||
| 1گروه زبانهای خارجه ، دانشکده علوم انسانی، دانشگاه خوارزمی، تهران، ایران | ||
| 2گروه زبانهای خارجی، دانشکده علوم انسانی، دانشگاه خوارزمی، تهران، ایران | ||
| چکیده | ||
| This paper investigates the convergence between Transcendentalist and phenomenological philosophies by placing the soul at the center of a shared theoretical horizon. It examines how the soul operates as a site of logoic sentience—a synthesis of metaphysical intuition and phenomenological creativity—by engaging Ralph Waldo Emerson’s poetic metaphysics alongside Anna-Teresa Tymieniecka’s Phenomenology/Ontopoiesis of Life. While Emerson envisions the soul as an illuminating and intuitive force beyond rational cognition, Tymieniecka frames sentience as the ontopoietic unfolding of life through the Imaginatio Creatrix (Creative Consciousness). Despite emerging from distinct traditions, both thinkers conceive of the soul as a dynamic and creative force essential to being and becoming. Drawing on key studies, the paper traces Emerson’s integration of Platonism, existentialism, and pragmatism, and highlights interpretive trends such as dialectical logic and comparative philosophical analysis. Scholars emphasize Emerson’s metaphors of light, darkness, and fire to illustrate a dynamic metaphysical ontology that resonates with Tymieniecka’s structured phenomenology. Methodologically, the paper adopts a hermeneutic-comparative approach, analyzing Emerson’s Essays, Lectures, Poems, and Tymieniecka’s Analecta Husserliana corpus. The analysis unfolds in five sections, addressing key motifs: sentient illumination, the dialectic of light and darkness, the poetic nature of the cosmos, the transformative virtual soul, and the creative primacy of intuition. Ultimately, the paper argues that Emerson articulates a poetic phenomenology that anticipates Tymieniecka’s philosophical framework, offering a vision of the soul as the medium through which truth, creativity, and existential insight emerge in the unfolding of life. | ||
| کلیدواژهها | ||
| Imaginatio Creatrix (Creative Consciousness)؛ Intuition؛ Logoic Sentience؛ Logos of Life؛ Phenomenology/Ontopoiesis of Life؛ Poetic metaphysics؛ Soul | ||
| عنوان مقاله [English] | ||
| Logos of Light, Abyss of Being: The Soul’s Ascent and Phenomenological Unfolding in Emerson and Tymieniecka | ||
| نویسندگان [English] | ||
| Maral keramat Jahromi1؛ Fazel Asadi Amjad2 | ||
| 1Department of Foreign Languages , Faculty of Humanities, Kharazmi University, Tehran, Iran | ||
| 2Department of Foreign Languages, Faculty of Humanities, Kharazmi University, Tehran, Iran | ||
| چکیده [English] | ||
| This paper investigates the convergence between Transcendentalist and phenomenological philosophies by placing the soul at the center of a shared theoretical horizon. It examines how the soul operates as a site of logoic sentience—a synthesis of metaphysical intuition and phenomenological creativity—by engaging Ralph Waldo Emerson’s poetic metaphysics alongside Anna-Teresa Tymieniecka’s Phenomenology/Ontopoiesis of Life. While Emerson envisions the soul as an illuminating and intuitive force beyond rational cognition, Tymieniecka frames sentience as the ontopoietic unfolding of life through the Imaginatio Creatrix (Creative Consciousness). Despite emerging from distinct traditions, both thinkers conceive of the soul as a dynamic and creative force essential to being and becoming. Drawing on key studies, the paper traces Emerson’s integration of Platonism, existentialism, and pragmatism, and highlights interpretive trends such as dialectical logic and comparative philosophical analysis. Scholars emphasize Emerson’s metaphors of light, darkness, and fire to illustrate a dynamic metaphysical ontology that resonates with Tymieniecka’s structured phenomenology. Methodologically, the paper adopts a hermeneutic-comparative approach, analyzing Emerson’s Essays, Lectures, Poems, and Tymieniecka’s Analecta Husserliana corpus. The analysis unfolds in five sections, addressing key motifs: sentient illumination, the dialectic of light and darkness, the poetic nature of the cosmos, the transformative virtual soul, and the creative primacy of intuition. Ultimately, the paper argues that Emerson articulates a poetic phenomenology that anticipates Tymieniecka’s philosophical framework, offering a vision of the soul as the medium through which truth, creativity, and existential insight emerge in the unfolding of life. | ||
| کلیدواژهها [English] | ||
| Imaginatio Creatrix (Creative Consciousness), Intuition, Logoic Sentience, Logos of Life, Phenomenology/Ontopoiesis of Life, Poetic metaphysics, Soul | ||
| مراجع | ||
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