بازساخت فردیت: بازنمایی فضایی و گفتمان ذهنی-جغرافیایی در رمان نوه آمریکایی به قلم انعام کجه جی | ||
| نقد زبان و ادبیات خارجی | ||
| مقاله 5، دوره 19، شماره 29، اسفند 1401، صفحه 121-143 اصل مقاله (393.33 K) | ||
| نوع مقاله: مقاله علمی پژوهشی | ||
| شناسه دیجیتال (DOI): 10.52547/clls.19.29.121 | ||
| نویسندگان | ||
| مهشید نامجو1؛ لیلا برادران جمیلی* 2 | ||
| 1دانشجو | ||
| 2دانشگاه آزاد بروجرد | ||
| چکیده | ||
| بی تردید در ادبیات مهاجرت، ارتباط بین فردیت و جغرافیا انکارناپذیر است. فرد مهاجر همواره در چالش سرزمین مادری/ سرزمین بیگانه، خودی/ دیگری و بودن/شدن است. دلیل این سردرگمی تاثیر جغرافیا بر بازنمایی و بازساخت فردیت می‌باشد. وطن به مثابه سرزمین مادری و زادگاه در ذهن فرد مهاجر مفهوم ثابتی ازهویت فردی ایجاد می‌کند که باید حفظ شود. انعام کجه جی ، روزنامه‌نگار و رمان نویس عراقی (1952)، در رمان نوه آمریکایی با روایت زندگی زن جوانی به نام زینا به زیبایی چالش‌ها و تاثیرات وطن بر ذهن فرد مهاجر، و ساخت فضای سوم/ جغرافیای ذهنی و استعماری شدن فرد مهاجر را به تصویر کشیده است. چهارچوب نظری این تحقیق بر نظریات هنری لوفور، جامعه شناس و فیلسوف فرانسوی متولد 1901، استوار است؛ او با معرفی سه فضای شخصی ، عمومی و ذهنی نوع جدیدی از اعمال قدرت را نشان می‌دهد که درنتیجه آن، فضا محصول اجتماعی است وهمواره در فرآیند بازتولید قرار می‌گیرد؛ در مناسبات اجتماعی نفوذ و از طریق آن تداوم پیدا می‌کند. این مقاله نشان می‌دهد که فرد مهاجر در رویارویی با سرزمین بیگانه نیاز به تغییر در بازنمایی فردی خود احساس می‌کند تا بتواند با محیط جدید همسو شود و درفضای عمومی سرزمین مقصد حس دیگری بودن خود را کمرنگ کند. این چالش بین وطن و سرزمین بیگانه گهگاه فرد مهاجر را مجبور به خلق جغرافیایی خیالی و ذهنی می‌کند تا در آنجا آزادانه خود را به تصویر بکشد. | ||
| کلیدواژه‌ها | ||
| واژگان کلیدی: فضا؛ جغرافیا؛ فردیت؛ سرزمین بیگانه؛ وطن؛ نوه آمریکایی؛ انعام کجه جی | ||
| عنوان مقاله [English] | ||
| Reconstruction of Subjectivity: Spatial Reproduction and Geo-Mental Narrative in Inaam Kachachi’s The American Granddaughter | ||
| نویسندگان [English] | ||
| Mahshid Namjoo1؛ Leila Baradaran Jamili2 | ||
| 1university student | ||
| چکیده [English] | ||
| Introduction: This research aims to investigate the effects of geography in the reconstruction of subjectivity and also shows that there is a mutual relationship between spatiality and subjectivity. The theoretical framework is mainly based on Henri Lefebvre’s theories of space which represent a reconciliation between mental space and real physical space. On this account, the study relies primarily on Inaam Kachachi’s novel-The American Granddaughter- and Lefebvre’s spatial triad. In investigating the geo-effects on subjectivity-formation, the characters’ inner struggle, their spatial reproduction, and the creation of the third mental space will be explored. The colonial role of homeland in the creation of mental geography, and the characters’ various postcolonial responses will be discussed further. The article finally indicates that geographical expectations and norms can act as colonial forces which control the characters’ will and determination and eventually lead them to the production of mental geography. Background of the study: This article focuses on The American Granddaughter and it is designed to study the novel by demonstrating the geographical effects on subjectivity formation. It, also, shows that spatiality can be viewed as a colonial power that manipulates the minds of people and controls everyday life practices. Inaam Kachachi, an Iraqi journalist and author, officially presented herself to the literary society in 2005 with the publication of her first novel, Heart Springs. Her second novel, The American Granddaughter, was a depiction of the American occupations of Iraq through the eyes of a young Iraqi-American woman who returns to her birth country as an interpreter for the US Army and witnesses emotional outbursts, familial conflicts, and the fall of the country of origin. Methodology: The present study applies an interdisciplinary approach that integrates perspectives from different fields of knowledge; i.e., spatiality, immigration, and subjectivity. Lefebvre’s space is a social product and is reproduced through human interactions, relations, and intentions. His spatial triad, i.e., private, public, and mental spaces can affect positively and negatively the reproduction of both space and subjectivity. According to Lefebvre, a social space contains a diversity of networks and interactions which can help spatial growth. Not only can people bring a set of concepts and change spatial representations, but also they can neither be separated from spatiality nor interpreted separately. Through this interdisciplinary study, the readers are given a chance to understand the effects of spatial mechanisms on both an immigrant’s mentality and her/his self-reformation. Because of spatial confirmation, an immigrant adjusts her/his subjectivity/self-representation to new forms of challenges and norms in a receiving country. When the new self-images cannot be matched with the homeland’s doctrines, an immigrant starts creating a mental geography. Furthermore, this study indicates how Kachachi merges the spatial images of an immigrant and her/his rooted-images into mental images by which she/he can be attached to her/his homeland and can forget the pain of being known as the Other. Conclusion: The American Granddaughter offers a site to study the dynamic relations between spatiality and subjectivity. The use of mental space gives a chance to the characters to survive and attach to the remnant of past memories. In addition, the readers can understand the characters’ decisions and suffering better. Kachachi employs a multitude of variations on the characters’ voices as a postcolonial reaction to indicate the social aspects of spatiality and subjectivity; both are social products and have a transient nature | ||
| کلیدواژه‌ها [English] | ||
| Keywords: Spatiality, Geography, Subjectivity, Host Country, Homeland, Inaam Kachachi, The American Granddaughter | ||
| مراجع | ||
|
Ahmed, Shawnm Marfi. “Identity Crisis in Inaam Kachachi’s The American Granddaughter.” The Scientific Journal of Cihan Universtity-Sulaimaniya, Vol.6, No.1 (May 2022) 20-34, doi:10.25098/6.1.26. Ammari, Deema, Areej Allawzi, and Zaydun Al-Shara. “Diaspora Reversed: A Post-Modern ‘Third Space’ in ‘The American Granddaughter.” International Journal of Arabic-English Studies (IJAES), Vol. 19. No.1 (2019) 209-226, doi:10.33806/ijaes2000.19.1.12. Appadurai, Arjun. Modernity at Large: Cultural Dimensions of Globalization. Minneapolis: University of Minnesota Press, 1996. Darzinejad, Ensiyeh and Leila Baradaran Jamili. “The Translocality of Home in Mohja Kahf’s Diasporic Discourse.” Tehran: Critical Language and Literary Studies: Shahid Beheshti Publication, )2017(169-185. Chamber, Iain. Migrancy, Culture, Identity. London: Routledge, 1994. Elnamoury, Mona. “The Translator as a Traumatized Protagonist in Inaam Kachachi’s The American Granddaughter.” Transcultural Journal of Humanities and Social Sciences, 2021, 101-110. Fuchs, Christian. “Henri Lefebvre’s Theory of the Production of Space and the Critical Theory of Communication.” Communication Theory, Vol. 29, Issue 2 (May 2019) 129-150, Doi.org/10.1093/vt/qty025. Kachachi, Inaam. The American Granddaughter. London: Bloomsbury, 2010. Kachachi, Inaam. The American Granddaughter. Asma Khajezadeh. Tehran: Marefat Publication, 2022. Lefebvre, Henri. The Production of Space. New Jersey: Wiley-Blackwell, 1992. Lefevbre, Henri. Introduction to Henri Lefebvre’s Production of Space. Aidin Torkameh. Tehran: Tisa Publication, 2014. LA TRECCHIA, PATRIZIA. “Being and Becoming: Reflections on Subjects and Narratives in Transition.” Italica, Vol. 88, No. 3, American Association of Teachers of Italian (2011) 438–58, http://www.jstor.org/stable/23070882. Niazi, Shahriyar and Fatemeh Arji. “The Presentation of Third Space in Kachachi, Inaam’s The American Granddaughter.” Tehran: Arab Language and Literature Magazine. Vol. 11, Issue 2 (2019) 74-85. Robinson, Cory Stephen. “Trust, Transparency, and Openness: How Inclusion of Cultural values shapes Nordic National Public Policy Strategies for Artificial Intelligence (AI).” Technology in Societies. Vol. 63. )November 2020) 1-15, Doi.org/10.1016/j.techsoc.2020.101.421. Rajabi¸ Erfan and Jalal Sokhanvar. “Literary Techniques and the Everyday Rhythms as Practices of Production of Space in Don Delillo’s Zero K.” Critical Language and Literary Studies. Vol. 15, Issue 21 (2018) 179-198. Zarrinjooee, Bahman. “Psycho-Geographical Discourse in James Joyce’s Ulysses.” Critical Language and Literary Studies. Vol. 13, Issue 17 (2016) 147-173. | ||
|
آمار تعداد مشاهده مقاله: 2,182 تعداد دریافت فایل اصل مقاله: 1,318 |
||